win a date with the garbage man

oystergirlrhymes:

This semester I went to the White Privilege Conference in Madison, WI for my honors seminar about examining privilege. I made a poster about the behaviors of particular white female musicians who appropriate other cultures as a means of identity and sexualize/objectify WOC as a means of displaying sexual agency and social power. All under the guise of “empowerment”.


This is my take on the knowledge I found through seminar and readings, (esp. online articles) so in no way do I claim these ideas or concepts as my own.


theduplicitytimes:

6 WRITING TIPS FROM JOHN STEINBECK
Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.
"If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story."

theduplicitytimes:

6 WRITING TIPS FROM JOHN STEINBECK

  1. Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
  2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
  3. Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
  4. If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
  5. Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
  6. If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.

"If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story."


imhislittlekitten:

pream777:

rosydrops:

Cleaning
clean bathroom tips
organize your closet
how to fix a leaky faucet
how to keep a clean kitchen
removing stains from your carpet
Money
how to coupon
what to do when you can’t pay your bills
see if you’re paying too much for your cell phone bill
how to save money
How to Balance a Check Book
How to do Your Own Taxes
Health
how to take care of yourself when you’re sick
things to bring to a doctor’s appointment
what to expect from your first gynecologist appointment
how to make a doctor’s appointment
how to pick a health insurance plan
a list of stress relievers
how to get free therapy

how to remove a splinter


how to avoid a hangover

Emergency
what to do if you get pulled over by a cop
a list of hotlines in a crisis
things to keep in your car in case of an emergency

how to do the heimlich maneuver

Food
recipes that take 30 minutes or less
Yummy apple thing
Brownie in a cup
Cookie in a cup
French bread pizza
Egg tacos
panera mac n cheese recipe
different salad recipes
harry potter recipes
healthy recipes
various cookie recipes
chocolate cupcakes w/ eggless cookie dough topping
s’mores pie 
nutella hot chocolate
peanut butter nutella swirl cookies
cookie in a mug
starbucks holiday drinks
fruit leathers 
brownie in a mug
how to make ramen 1000x better
eggless cookie dough (not to bake, just to eat)
make recipes using things you already have
how to put together a very fancy cheese plate 
make different flavored lemonades
various desert recipes
make tiny chocolate chip cookies
20 dishes every cook should know
learn how to make your own tea
Macaroni and cheese in a mug
Study snacks (2)
40 on-the-go breakfast recipes
Home
what the hell is a mortgage?
first apartment essentials checklist
how to care for cacti and succulents
the care and keeping of plants 
Getting an apartment
Job
time management
create a resume
find the right career
how to pick a major

how to avoid a hangover

how to interview for a job

how to stop procrastinating

How to write cover letters
Travel
ULTIMATE PACKING LIST
Traveling for Cheap 
Travel Accessories
The Best Way to Pack a Suitcase
How To Read A Map
How to Apply For A Passport
How to Make A Travel Budget
Better You
read the news
leave your childhood traumas behind
how to quit smoking

how to get a book published


how to knit


how to use a polaroid camera


how to solve a rubik’s cube


how to stop biting your nails


how to stop procrastinating


how to stop skipping breakfast


how to stop micromanaging


how to stop avoiding asking for help


how to stop swearing constantly


how to stop being a pushover

learn another language
how to improve your self-esteem
how to sew
learn how to embroider
how to love yourself
learn how to do yoga
100 tips for life
learn how to make your own cards

Oh my godIs this what the Bible looks like?

How to become an adult? *hides* no no no no no
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imhislittlekitten:

pream777:

rosydrops:

Cleaning

Money

Health

Emergency

Food

Home

Job

Travel

Better You

Oh my god
Is this what the Bible looks like?

How to become an adult? *hides* no no no no no


The worst of all possible things that could happen would be to lose that language [that black people love so much]. There are certain things I cannot say without recourse to my language. It’s terrible to think that a child with five different present tenses comes to school to be faced with those books that are less than his own language. And then to be told things about his language, which is him, that are sometimes permanently damaging… This is a really cruel fallout of racism. I know the Standard English. I want to use it to help restore the other language, the lingua franca.

1. He ø runnin. Standard American English (SAE )= He is running.

2. He be runnin. SAE = He is usually running or He will/would be running.

3. He be steady runnin. SAE = He is usually running in an intensive, sustained manner, or He will/would be running in an intensive, sustained manner.

4. He(’s) been/bin runnin. SAE He has been running–at some earlier point, but probably not now.
Other examples: I been knowing her. SAE = I have known her.
About eleven o’clock he been eating. SAE = … he was eating.

5. He BEEN/BIN runnin’. SAE = He has been running for a long time, and still is.
-This is a use of the African American English (AAE) stressed been/remote BIN.

My mother Toni Morrison on AAVE (via howtobeterrell)

this is for whoever was telling me that AAVE isn’t a real thing… UGH

(via glassaquarium)

Note how precise each AAVE phrase is. 

(via thecrayonboxes)

Cries from perfection

(via youngbadmanbrown)

For anyone who thinks aave is just slang.
-Morgan

(via pocproblems)

This is why non-Black POC, especially white folks who’ve never been in a room with a Black person, get it so wrong with the habitual Be and stressed Been; y’all don’t understand or respect that it’s a language and not just ‘lazy’ speech or slang. We know that it’s structured and nuanced. You can’t just pick that ish up and act like you’re hip if you’re not. It’s also important we let our children in the education system know that this is a valid language and one that teachers should be familiar with when teaching.

(via siddharthasmama)